Instead of just sitting there and thinking about them, I would make myself do a whole journal session just on that one memory and try to write down every single thing I could think of. But to get to that point, there’s all this other crap that I would have to get through.Įvery once in a while I would just pause and think about something from my past and just dwell on it. It’s kind of like a magic turning point that I feel like is just inspiration. I keep talking about this one space that I would get to. The way I wrote most of these songs was just to write and write and write and not stop and not even think about what I was writing.
Whenever I’m in the exact right mode of getting these drawings out, it’s like a meditation where I look at the subject and don’t really look at the paper.
It’s so much more black and white in terms of what is coming out of you. With writing you’re actually writing words.
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It takes me a good hour to get to this certain spot where my brain is free flowing and everything just comes out.īut I found with the drawing I can get there quicker. It’s literally like a ritual that I go through. I have to have eaten and feel good and have complete silence or instrumental music. I can’t let my brain go really out there and abstract and unravel if my room is unraveled. It sounds really stupid, but my room has to be clean. With writing or drawing, I have to create my own little world, basically, and I have to have all these things in line before I can do it. How does the creative process behind your drawing compare to the creative process behind writing a song? I pushed myself a lot further with my writing than I had ever done before. … It was a whole other way of facing myself.ĭrawing would take my brain into a way more abstract visual place that would help me with the writing. I was doing a lot of self-portraits, and it was like looking at myself in the mirror, literally. It was 40 pieces out of a body of like 250 drawings that I did over the course of the time that I was writing the album. I would definitely say that I have more years on that than I do on playing music. I’ve always been someone who does a lot of different kinds of visual art, especially drawing. My parents are both artists, and I had a pencil in my hand since I could hold a pencil. At times it seemed like the conversation was another one of her long art therapy sessions, as though she was hashing out some thoughts that never quite made it onto the page or canvas.Ĭan you tell me a little bit about the art that you’re doing outside of the band? Zazu talked for almost an hour about her drawings, songwriting and how much of herself she puts into her art. The band has come a long way since their self-titled debut album, which has much more of a country twang and includes lyrics like, “I got drunk and I ate a chicken.” Many of the songs on the band’s third and most recent album, “Blur the Line,” come from Zazu’s drawing and journaling sessions.
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She originally began the series simply to improve her drawing but quickly realized that it also helped her dig deeper with song writing. In August, she exhibited 40 of her large-scale oil pastel gesture drawings, most of which are self-portraits.
But lately she’s been drumming up attention for a different venture. Jessi Zazu is best known for singing and playing guitar in Those Darlins, a garage rock band from Nashville, Tenn.
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